Prerequisite: Beginners and non-cinematographers are encouraged to bring their own original RAW files to work on and share with the class. Training Methodology Instructor-led training to ensure one-on-one training and […] more »
Media ASYLUM is the appointed Regional training provider of the International Colorist Academy (CA) for Asia and the Pacific to host a range of the International Colorist Academy’s hands on training courses geared towards colorists and working professionals. The courses are instructed by expert colorist & color scientists working around the world and range from basic color theory, color management and color calibration, digital intermediate and film workflows, color grading techniques, client interaction, looks, and styles. With a broad range of manufacturer color grading systems out there, Media ASYLUM hosts a variety of ICA courses that cover specific systems to many courses that are not system specific.
Prerequisite: Suitable for for anybody with basic editing, compositing and grading skills. Certification Program: The training program is awarded by Autodesk, demonstrates knowledge of course content at the end of […] more »
Prerequisite: No entry requirement. Ideal for first time users and you do not need to be a Colorist to attend. This class is ideal for Junior colorists, editors, DITs, DPs, […] more »
Prerequisite: No entry requirement. Ideal for current Resolve Colorists and assistant operators. We cover advanced techniques and tricks using the latest software with the DaVinci Resolve control surface. These classes […] more »
Prerequisite: Great for any current Resolve Colorists with at least 1 years experience or previous students who have completed either the ICA Basic or Advanced classes. Certification Program: The training […] more »
This one-day course teaches theory and practice of using Academy Color Encoding (ACE) System developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts & […] more »
This 3-day course teaches all the tools, technologies and processes of Color Management in digital cinematography, explaining how Color Management works on-set, post-production workflows and the best practices and common […] more »